The National Archives offers a wealth of information about Curaçao and its history. But these documents, photographs and maps often only show the perspective of the old colonial rulers. The Archives’ new exhibition Kòrsou - Curaçao combines these traditional sources with different visions of the island. The Zikinzá collection, for example, is a unique collection of audio recordings which provides a glimpse into the daily lives of Curaçao residents of the past. Through video interviews Curaçao residents of the present will reflect upon the themes in the exhibition.
Artists Visitors of Kòrsou - Curaçao can view interviews and photographs made by photographer and documentary maker Selwyn de Wind. In addition, a wide variety of artists have contributed works that reflect upon the five themes in the exhibition: original inhabitants, slavery, resilience, society and governance. Featured artists are Quentley Barbara, Elvis Chen, Melissa Cijntje, Avantia Damberg, Ruben La Cruz & Karolien Helweg, Travis Geertruida, Kevin Osepa, Imani Specht and Gilleam Trapenberg. The exhibition also features an exclusive Spoken Word recording by Rachel Rumai Diaz. Gems of the National Archives Collection Curaçaoans over the years have not had much say in whether and how they were described in archival collections. Their personal stories are therefore difficult to find in the traditional archives. Yet, in addition to records showing the perspective of the colonial rulers, remarkable historical documents are on display that show the strength and resilience of Curaçaoans. Examples of these are the long list of enslaved people who managed to escape to the mainland, the verdict of wela Markita Kanga who dedicated herself to preserve her own traditions and culture, and the report of the first Island Council where Papiamentu was openly spoken. Guest Curator Dyonna Benett, a heritage professional who specializes in museology, public and inclusion is the guest curator of Kòrsou - Curaçao. The content of the exhibition was partly created after extensive consultation sessions with experts from both Curaçao and the Netherlands. Programming and Education As part of the Kòrsou - Curaçao exhibition, a varied program including debates, lectures and guided tours will be organised. The current offerings can be found on the website of the Nationaal Archief. In addition, the Nationaal Archief of the Netherlands, in cooperation with the Nationaal Archief Curaçao, has developed online lessons for group 7 and 8 of primary education in the Netherlands and on Curaçao. Kòrsou - Curaçao can be visited from December 16, 2021 to October 23, 2022 in the National Archives in The Hague. The texts in the exhibition are offered in Papiamentu, Dutch and English. Because of the current COVID measures it is required to wear a mouth mask and keep 1.5 meters distance when visiting the National Archives. In addition, we ask for a corona access card with valid identification. No ticket or time slot needs to be booked prior to the visit. Photography by Selwyn de Wind
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Interview by Passion Dzenga | Photography by Adam ZMMeet MANSO̶U̶R̶, the rising star making waves with his new psychedelic EP ‘not disturb’ featuring Sam Wise, Kadiata, El Londo and Rxlls. From spinning sets for big names like JEAN PAUL GAULTIER and NIKE to crafting his own sound, MANSO̶U̶R̶ is bridging the gap between Paris and London’s underground scenes. Raised in an Algerian and Guinean household in Paris, he soaked up rich cultural influences that shaped his eclectic style. At just 21, this esteemed DJ blends hip-hop, jazz, and electronic vibes, creating infectious energy on stage. As he continues to rise, his DIY spirit and creative edge are positioning him as one of the most exciting new voices in the game. Let’s dive into his journey and the sounds driving his artistry!Congratulations on your brand-new EP 'not disturb'. Can you walk us through the creative process and collaboration behind it? What were your inspirations and what do you want listeners to take away from it?My inspiration behind it was honestly just everyday life, you know. All these same questions we all ask ourselves — “not disturb“ is based on real-life experiences. It's about recognizing and handling our emotions in a mindful way. People often fear their emotions, but to me now, it’s fine —you can’t escape who you are. It’s also about knowing when and how to step back from the noise, to protect your own peace and mental space. I’m part of the #albumteam. I really love albums. Especially the ones that resonate with me, my experiences, whatever I’m going through. I love how an album can speak to me, even from miles away, make me feel understood. So I thought why not do the same with my own music. 'not disturb' is my way of capturing these emotions and experiences we all face, through my own creation. That’s why I want people to not just hear it, but actually listen to it.Also, side note - never underestimate a project that a friend sends you because it made them feel something, an emotion they chose to share with you. I love my friends, they build me up, and to me, that's powerful, ngl.Growing up in Paris with Algerian and Guinean roots, and spending time in London, your sound is a unique blend of cultures and influences. How do you think your upbringing has shaped your approach to music and creativity?Long story short: Mumsy listened to Tina Turner, Dad to Miles Davis. She’d play a lot of Disclosure, he would have Mary J. Blige on. You get the idea. So I think that naturally when you see how music can deeply move people like that, it can make you want to feel that same magic. I will say though, I think when you’re a music nerd or neek (or whatever people are calling you) it can feel kind of overwhelming. 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That’s why I’m always excited and intentional about continuing to explore music, fashion, or any other paths I choose.Your debut EP 'DO YOU GET IT' made waves in the alt-rap scene. What vibe were you trying to communicate with that project, and how do you feel it's been received?With ”DO YOU GET IT”, I just wanted to capture what I was feeling and going through at the time, without worrying too much about how it would be received—just like with everything else I do. For me, it was more about releasing ideas and creating a sound that resonated with me, rather than trying to please or overthink the reaction. Once the music is out there, it doesn’t really belong to me anymore. People can interpret it however they want. Me, personally, I’m a fan. The most important thing is that it stays true to who I am.From collaborating with artists like Len, BXKS, and Odunsi, to playing alongside Sainté and Ragz Originale, you’ve been making moves in both the Paris and London underground scenes. What do you think draws you to these collaborations, and how do they inspire your sound?These are artists I’ve been listening to from the start, and I know I’ll always come back to their music. Collaborating with them feels truly organic, and it’s something I’m genuinely grateful for. What draws me to these collaborations is simple: I create, they create, so why not work together and see where it takes us, you know?I will say though, working with each of them, they didn’t just take the easy route but really embraced the vision. They weren’t afraid to dive into more challenging beats, and that’s something I really respect and that inspires me. Shout out to all of them. What I’m also realizing more and more now is that your sound is really shaped by who you surround yourself with. That’s the lesson that I’m learning right now—how much your circle influences and pushes you creatively.You’re known for mixing genres like hip-hop, jazz, and electronic music. How do you decide which elements to bring together when producing a track? Do you have a specific vision going in, or does it evolve naturally?I don’t really overthink it. Creating, at its core, is just an extension of who you are, right? So I naturally end up expressing whatever I’m feeling in the moment. There’s no specific formula or plan I follow—it’s more about letting things flow. The mix of genres happens because those are the sounds I connect with. Whether it’s hip-hop, jazz, or electronic music, it all just blends together based on the vibe I’m in. I’m just vibing. I let the track evolve on its own and trust the process, without trying to force it into any kind of box.Your live sets are described as energetic and eclectic, with a real communicative vibe. How do you prepare for a set? Do you approach live performance differently from studio production?Same here. It’s all about selecting and seeing what unfolds. If you’re strictly bangers, that’s totally fine— But for me, the track selection is what matters the most. A great set isn’t just about flawless transitions; it’s about curating tracks that resonate with you as a DJ first. That’s the essence of the job, right? Allowing people to discover new sounds. Each track I play, I connect deeply with, and then it’s up to the audience to embrace the experience and the vibe. That’s what I’ve always done and will continue to do with my performances.The alt-rap scene is exploding right now, and you’re positioned right at the forefront of that movement. How do you see this genre evolving, and where do you see your place within it?I’m not exactly sure what defines alt-rap, but what I do know is that I’m focused on making the music that I love. I believe in staying true to your sound and expressing yourself authentically. At the end of the day, that’s what lasts. Contributing to the growth of something I’m passionate about, while staying genuine to my own style — that’s the only approach I’m committed to.You’ve quietly been pulling strings behind the scenes for a while now, not just in music but also in fashion and community projects. Can you share a bit about the vision or mission that drives your work beyond music?My entourage. I truly believe that when you have ideas, it’s essential to put them into action and involve your friends in the process. Also, I love stories, every story carries a unique message and is worth telling. That’s why I’m committed to crafting my own narrative and bringing those stories to life, whether through music, fashion, or community projects. Ultimately, it’s all about human connections and building something meaningful together.What’s next for MANSO̶U̶R̶? Can we expect more collaborations, a full-length project, or any new directions in sound? 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